Users review: I had a chance to see black swans in one of the 18 theaters, which he opened this weekend, although I did not do it, I was compelled to write a review film.From top to bottom, the film is at the height of what it means to be a true art cinema. Various elements of the film, staging the scene, it was so very structured director Darren Aronofsky, you just need to sit back and admire the fluidity of camera movement or color fun color in the middle of the film, which has its own color scheme is largely devoted to the symbolism of the black show white.The where spot on, Vincent Cassel has been terrific as a teacher suspects, whose brilliance and thirsty dancers in the show are both very influential, often knocking the other. Mila Kunis and really shines in it, then by her many probably do not know it's possible. She's really beautiful and appropriately reflects the contradictions Natalie Portmans black and white, a stunning contrast between good and evil. Kunis, however, as many may think, is not meant to be there to turn on the general conflict between good and evil mind, but to emphasize the Portman, who we have not seen yet. Side that will take him to the brink of madness obtain.And therein lies the real theme of the film, obsession and physical stress on top of everything. Just as our fighters dedicated to the main hero undervalued physical art form. Here, it becomes an obsession leading Portmans ballet Swan Lake, which leads into a frenzy. You walk into his head, as his teacher encouraged him to be perfect, encouraged her to let the fragile White Swan and Black Swan free and become destructive. When you follow through the steps listening to it, causing an explosion in the final, he became less and less aware of what's around it, and that such distortions of reality. Such as loss of traction, Aronofskys ability to reflect radiant psychological damage through.And no mistake, this film belongs to Aronofsky and Portman. As already mentioned, Aronofsky captures everything beautiful in the frame of the camera motion is almost equally free and beautiful, like the dancers on the screen. Its use for head shots is a little of his trademark, which makes it possible to see what the characters. And he uses lighting is nothing short of remarkable. But now comes the real star Natalie Portman. This surprised me, from start to finish, he showed conversion to a pretty girl in a physical and psychological obsessed with trying to bring all the white and black swans, if necessary, is really trying to be them in her head, her management to Var 'yatstva in the pursuit of perfection. Words can not describe here Portmans performance, saying it was Oscar worthy big would be an understatement, because the depth of his character goes so deep that it's almost worth playing two separate roles. So fragile at that moment, you fear for your life, and broken in others that you hate. Speaking at best, decent Portman Film Oscar.All almost perfect condition, one of the best dramas Ive ever seen, and one that is as iconic and intense as it was a terrible time to time. Just to mention a few other things, Winona Ryder, in a small amount of screen time, it's exciting and really scary for a particular scene. And as always, if Aronofsky and Clint Mansell team up, the cost of both epic and terrible at the same time somehow. Overcasting account distorted and intense version of Swan Lake itself brilliantly complements the atmosphere throughout the film, as the two artists have done before. It can work almost like a silent film, this is how shiny. If you get a chance to have this movie will surely spread to other theaters to see it, it's painful and sometimes hard to watch, but it is a combination of beauty and horror, making it impossible to turn away. |
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